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Teddy Sandoval and the Butch Gardens School of Art at the Vincent Price Art...

Leer en Español Teddy Sandoval, Chili Colorado (c. late 1970s). Lithograph with collage, 13 × 10 inches. Image courtesy of Paul Polubinskas,Teddy Sandoval Estate.Photo: Ian Byers-Gamber. From its...

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Lex Brown at Bel Ami

Leer en Español Lex Brown, Communication (video stills) (2021). Video, 29 minutes and 8 seconds. Images courtesy of the artist and Bel Ami, Los Angeles.   In Henri Bergson’s 1900 book Laughter: An...

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Hugh Hayden at Lisson Gallery

Leer en Español Hugh Hayden, Hughman (installation view) (2023–24). Lisson Gallery, Los Angeles, 2023–24. © Hugh Hayden. Image courtesy of the artist and Lisson Gallery. Lisson Gallery’s Los Angeles...

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Diana Yesenia Alvarado at Jeffrey Deitch

Leer en Español Diana Yesenia Alvarado, Earth Wish I (2023) Glazed ceramic, 64 × 40 × 42 inches. Image courtesy of the artist and Jeffrey Deitch, Los Angeles. Photo: Joshua White. There’s a photograph...

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(L.A. in N.Y.) Cauleen Smith at 52 Walker

Leer en Español Cauleen Smith, The Wanda Coleman Songbook (installation views) (2024). Installation of four-channel video (27 minutes and 13 seconds), 12-inch vinyl record, record player, console...

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(L.A. in São Paulo) Candice Lin at Almeida & Dale

Leer en Español Candice Lin, Decomposition (installation view) (2020). Glass, metal, LED light, porcelain, meat paste, and dermestid beetles, 57 × 83 × 10.5 inches. Almeida & Dale, São Paulo,...

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Sirens in New Pitches: Immersive Art and Violence

Matthew Barney, SECONDARY: commencement (installation view) (2024). Regen Projects, Los Angeles, 2024. Image courtesy of the artist and Regen Projects. Photo: Joshua White. In writing for The New...

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The Connective Role of Art in UCLA’s Pro-Palestine Encampment

Protest posters created by participants in the UCLA encampment on April 27, 2024. Image courtesy of the artists. This spring, the pro-Palestinian campus occupation at the University of California, Los...

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Interview with Sofía Córdova

Photo: Matthew Gonzalez Kirkland. Sofía and I met on the first day of grad school. I was sitting alone in a dark auditorium amidst a sea of other first-day students, and then, suddenly, she was next to...

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Works in Progress: Njideka Akunyili Crosby

Njideka Akunyili Crosby scours the internet and enlists the help of family members in Nigeria to track down the unique source imagery that she transfers onto her densely collaged paintings. Most of...

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Annabeth Marks at Parker Gallery

Annabeth Marks, Slipper (2024). Acrylic on canvas, 41 × 17.5 × 2 inches. Image courtesy of the artist and Parker Gallery, Los Angeles. Photo: Paul Salveson. The crosshatched and woven canvases in...

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Maura Brewer at Canary Test

Maura Brewer, Offshore (installation views) (2024). Images courtesy of the artist and Canary Test. Early in Maura Brewer’s 32-minute video Offshore (2024), the artist says that money laundering might...

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Familial Technologies at Commonwealth and Council

Familial Technologies (installation view) (2024). Image courtesy of the artists and Commonwealth and Council, Los Angeles / Mexico City. Photo: Paul Salveson. Next to the waxy gleam of hardwood...

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Emi Mizukami at Ehrlich Steinberg

Emi Mizukami, The sun is steel blazing (installation view) (2024). Acrylic paint, charcoal pencil, pastel, sand paste, and desert sand on linen, 57.5 x 44.5 inches. Image courtesy of the artist and...

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Molly Rose Lieberman at Matthew Brown

Molly Rose Lieberman, Respect the morning (2024). Flashe on masonite mounted to walnut. 23 3/4 x 48 inches. (60.3 x 121.9 cm). Image courtesy of the artist and Matthew Brown. Photo: Paul Salveson. Each...

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Bruce Richards at Sea View

Bruce Richards, Clef (2020). Oil on linen, 19.5 x 14.5 inches. Image courtesy of the artist and Sea View, Los Angeles. Photo: Nice Day Photo. One of the most striking paintings in Soundings, a...

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Maya Buffett-Davis at Soldes

Maya Buffett-Davis, Computer Lab Loveseat (detail) (2024). Image courtesy of the artist and Soldes. One of the earliest writing systems, cuneiform, was derived as a simple and economic means of...

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Oshay Green at C L E A R I N G

Oshay Green, IF YOU DON’T GET YO SORRY ASS UP (installation view) (2024). Image courtesy of the artist and CLEARING Los Angeles. Photo: Evan Walsh. Oshay Green brings the compositional sensibility of a...

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Nao Bustamante at Track 16

Nao Bustamante, BLOOM (installation view) (2024). Image courtesy of the artist and Track 16. As a field historically predicated on the exploitation of women’s bodies, American gynecology has long had a...

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(L.A. in N.Y.) Jesse Stecklow at Dracula’s Revenge

Jesse Stecklow, Cornspearacies (installation view) (2024). High fructose corn syrup; Avon Golden Harvest Hand Lotion bottles and lotion; beeswax candles; Lemonlights (beeswax, LED light bulbs, lamp...

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